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"THE LADY CAN WRITE . . .
Any reader who needs a smart and sassy P.I. would do well to hire Sue Grafton's Kinsey Millhone. . . . H' is for Homicide continues to show the author in strong storytelling form. . . . [It] finds Kinsey Millhone working on a case involving the death of a claims adjuster for a California insurance company. The story takes her into the Los Angeles barrio in pursuit of a violent criminal, into jails and hospitals, and into a grungy bar named the Meat Locker. . . . Count on Millhone not only to corner the murderer but also to make a statement against the foibles of the insurance game."
—The New York Times
"The eighth in Grafton's bestselling series is perhaps the wildest ride yet. . . . Grafton's skill with dialogue, her vivid characterizations and California scenery are priceless. . . . There are moments when the tension becomes so unbearable that you are tempted to skip paragraphs out of self-preservation."
—USA Today
"One of the best . . . A vivid, funny portrait of life in an ethnic underworld, viewed without judgment. Suspense there is, plentifully, and a final suggestion that Kinsey will be exploring different mischiefs next time. Outstanding."
—Los Angeles Times
Any reader who needs a smart and sassy P.I. would do well to hire Sue Grafton's Kinsey Millhone. . . . H' is for Homicide continues to show the author in strong storytelling form. . . . [It] finds Kinsey Millhone working on a case involving the death of a claims adjuster for a California insurance company. The story takes her into the Los Angeles barrio in pursuit of a violent criminal, into jails and hospitals, and into a grungy bar named the Meat Locker. . . . Count on Millhone not only to corner the murderer but also to make a statement against the foibles of the insurance game."
—The New York Times
"The eighth in Grafton's bestselling series is perhaps the wildest ride yet. . . . Grafton's skill with dialogue, her vivid characterizations and California scenery are priceless. . . . There are moments when the tension becomes so unbearable that you are tempted to skip paragraphs out of self-preservation."
—USA Today
"One of the best . . . A vivid, funny portrait of life in an ethnic underworld, viewed without judgment. Suspense there is, plentifully, and a final suggestion that Kinsey will be exploring different mischiefs next time. Outstanding."
—Los Angeles Times
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