Dance Australia

magazine September-October-November 2020 · Dance Australia

cover image of Dance Australia

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Dance Australia is the most respected dance journal in the country. The articles and reviews are written by the cream of Australia’s dance journalists. The beautiful photographs and glossy design make the magazine a work of art in itself –a keepsake for anyone who loves dance.

Action through inaction

DANCE AUSTRALIA

NEWS | EVENTS

THEATRE IN THE TIME OF COVID • What will a Covid-safe theatre be like? And can we afford it? asks Karen van Ulzen.

‘Phantom’ in South Korea

WA Ballet opens first

CREATING DRACULA • The blood-sucking vampire is about to stalk the West Australian Ballet’s stage again. Karen van Ulzen talks to the ballet’s creator.

BYTES • The author of ‘Dracula’, Bram Stoker, was a theatre critic and manager.

STUCK ON A CRUISE SHIP! • Claudia Pereira landed a dream job as a singer/dancer on a cruise ship. Then the pandemic struck.

PHOTOGRAPHIC ALCHEMY • Amber Haines has been fortunate enough to experience a thriving creative career that enables her to embrace her two artistic passions,

Passion Projects • Chris Horsey discusses his next big ideas with Sally Clark.

Smart meal management • Part of adjusting to full-time studies can be organising your daily meals, especially if you have moved and are living independently for the first time. Nutritionist Fiona Sutherland offers a few tips.

The other ADT • Michelle Forte talks to Geraldine Higginson about creating her youth company.

Youth comes but once in a lifetime... • If you’re thinking of checking out your local youth dance company, get started with this (by no means comprehensive) list.

Capital company • A dance company in Canberra? It has Michelle Potter’s vote.

Making the leap • The outgoing artistic director of the Australian Ballet has written a book looking back over his long ballet life.

THE POINT OF POINTE • Symbol of female oppression or liberating technical achievement – why do we continue to love pointe shoes? Denise Richardson investigates.

HOW TO BE A DINOSAUR • Caterina Mete gives Susan Bendall the wobble on a being a wiggle.

Three things you might not know

The perfect audition video • Dear Emma, I sent an audition video to a school overseas and was rejected. It was particularly hard because I wasn’t given any feedback and also because I feel like if I were there in person it would have been different. How can I make an audition video that shows who I really am?

London, Paris, Hamburg, Brisbane • Karen van Ulzen took advantage of the worldwide lockdown to chat with dancers here and overseas. She started with Alexander Campbell, principal with the Royal Ballet.

Her own path • Mia Heathcote is a senior soloist with the Queensland Ballet.

Home is ABT • Australian Kiely Groenewegen is lapping up life in the Big Apple.

Dancing for her life • Kellymarie Sullivan called on her love for dance to pull her through a major health crisis.

Josh Wright • is a creative producer. He was appointed artistic director of Dancehouse in Melbourne in April.

FULL-TIME STUDIES GUIDE • There are many exciting options available in full-time dance training, as Michelle Dursun explains.

Amelia Townsend • Corps de ballet, Royal Ballet, London

Caleb Durbin • Corps de Ballet, Houston Ballet, US

Alex Andrews • Principal of Elevation Dance Studios, Melbourne.

Charles Slater • Company artist, Queensland Ballet.

Chris Rodgers-Wilson • Senior Artist, Australian Ballet.

Tyla Steinbach • Corps de Ballet, San Francisco Ballet.

Elena de Cinque • Founder/director of ED5International.

Hannah Nash • Graduate of the English National Ballet School, recently...

Dance Australia