《中国绘画》内容简介：传统的中国绘画基本上是具象的，并未产生过真正意义上的抽象绘画。所不同的是，中国画中具象的自然绝非自然的简单投射物，而是结合了自然与画家心灵的自足的统一体，是"天人合一"的新的世界。中国画家在画面中所要实现的，是一种不怎么精确的描绘，很少有人关心诸如色彩、透视、解剖、质感、体积、比例等问题，他们所要营造的是一个能满足其心智活动的非物质化的天地，自然景物不是需要忠实模仿的对象，而是为其所用的素材。（Traditional Chinese paintings, as a form of plastic arts with painting brushes, ink and silk paper as the main tools and the structures of dots and lines as the main means of expression, are mainly based on the 5,000 years of brilliant civilization of China and are abundant in tradition and show extremely unique national styles. Chinese paintings of the 20th century, however, reflects various complex morphologies including how Chinese arts has developed from tradition to modern times, how it has introduced and absorbed Western arts and the collision and fusion between Chinese and Western arts. With the prices of Chinese paintings soaring at international arts auctions, more and more foreigners begin to show profound interest in the art of Chinese painting. This book, instead of following the usual practice of writing about the appreciation of painting works, highlights the close relationship between the art of painting and Chinese culture, and tells us the cultural tales behind that painting language, painters and the painting styles.）